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R.E.M. - Monster
(Warner Bros 9362-45763-2 Ger-94 125:-)

MONSTER is indeed R.E.M.'s long-promised "rock" album; it just doesn't rock in the way one might expect. Instead of R.E.M.'s trademark anthemic bashers, MONSTER offers a set of murky sludge, powered by the heavily distorted and delayed guitar of Peter Buck.

Deleted special limited edition release 12-track CD presented in a 6" x 9" deluxe 52-page hardback book featuring exclusive artwork and photographs
R.E.M. - Up
(Warner 2-47151 US-98 200:-)

The departure of drummer Bill Berry in 1997 no doubt unsettled his former R.E.M. -mates, who found themselves straddling not only creative, but personal crossroads. Rather than giving up, the remaining members of R.E.M. reinvented themselves and released UP, a stunning, eloquent album of dark vulnerability and experimentalism. The emotional disquiet Stipe evokes is nearly shocking in its plainspoken lyricism.

Scarce 1998 US limited edition box set which includes a spiral bound book, exclusive photograph/postcards and complete lyrics. All housed in a 6" x 10½" box which is still in the original 'REM UP' printed shrink.
Ramones - Leave Home
(Warner WPCR-12723 Jap-07 200:-)

Released only months after RAMONES, the Ramones' second album pales slightly in comparison to its stone-classic predecessor--but only slightly. LEAVE HOME contains enough all-time Ramones anthems--"Commando," "Pinhead" (which introduces the legendary "Gabba Gabba Hey" chant), and "Gimme Gimme Shock Treatment," to name only three--that it's still an essential document of the New York punk scene. More importantly, this reissue appends a whopping 16 bonus tracks, the entirety of the Ramones' August 1976 Hollywood live debut.

Vinyl Replica Paper Sleeve with 16 bonus tracks - Remastered.
Ramones - Pleasant Dreams
(Warner WPCR-12727 Jap-07 200:-)

END OF THE CENTURY didn't make the Ramones into the stars they so wanted to be, so they hooked up with another '60s icon, Graham Gouldman, for its follow-up, PLEASANT DREAMS. Oddly, Gouldman directs the band away from their bubblegum, British Invasion, and surf fetishes toward acid rock and heavy metal. They still manage to squeak out a couple of irresistibly catchy songs, but the production is too clean to qualify as punk.

Vinyl Replica Paper Sleeve with 7 bonus tracks - Remastered.
Ramones - Subterranean Jungle
(Warner WPCR-12728 Jap-07 200:-)

Tentatively returning toward punk, or at least new wave, the Ramones turned in their most enjoyable record since ROCKET TO RUSSIA with SUBTERRANEAN JUNGLE. Producers Ritchie Cordell and Glen Kolotkin were the heads of the edgy power pop and punk label Bomp!, so they steered the Ramones back toward the '60s pop infatuation that provided the foundation for their early records. It's a strategy that pays off well — for the most part, the group's originals are so punchy and catchy that they make the pair of covers superfluous.

Vinyl Replica Paper Sleeve with 7 bonus tracks - Remastered.
Ramones - Too Tough to Die
(Warner WPCR-12729 Jap-07 200:-)

With the Ramones' original drummer, Tommy Erdelyi, producing, the group returns to simple, scathing punk rock on TOO TOUGH TO DIE. The group takes the big guitar riffs of SUBTERRANEAN JUNGLE and makes them shorter and heavier. The Ramones' rhythms are back up to jackhammer speed and the songs are down to short, terse statements. The results read like a reaction to hardcore punk, but the Ramones are more melodic than any hardcore band, as well as smarter than most.

Vinyl Replica Paper Sleeve with 10 bonus tracks - Remastered.
REO Speedwagon - You can Tune a Piano
(Sony EICP-1488 Jap-11 175:-)

YOU CAN TUNE A PIANO, BUT YOU CAN'T TUNA FISH was a breakthrough album for REO Speedwagon in a sense, gelling the guitar craft of Gary Richrath and the vocals of Kevin Cronin with songs that rambled and rolled and never stopped for air. Richrath's style finally formed some catchy hooks, and Cronin's songwriting is solid, while his voice sounds rejuvenated and downright fiery.

40th Anniversary; Vinyl Replica Paper Sleeve
Rolling Stones - Flowers
(Universal UICY-93792 Jap-08 225:-)

Dismissed as a rip-off of sorts by some critics as it took the patchwork bastardization of British releases for the American audience to extremes, gathering stray tracks from the U.K. versions of Aftermath and Between the Buttons, 1966-1967 singles (some of which had already been used on the U.S. editions), and a few outtakes. Judged solely by the music, though, it's rather great.

SHM-CD Vinyl Replica Paper Sleeve.
Rolling Stones - Remastered Series
(ABKCO 9215-2 EU-02 500:-)

A promotional press pack comprising a 31 page press release featuring introduction and project credit, biography, colour discography and tracklistings for twenty-two albums [one per page], all housed in custom fold-out picture folder featuring colour discography on inside cover - stunning!
Rolling Stones - The London Years
(ABKCO ‎1218-2 US-89 250:-)

The Rolling Stones made genuine albums -- even their early R&B/blues albums were impeccably paced -- but their singles had a power all their own, which is quite clearly illustrated by the "Singles Collection". By presenting the singles in chronological order, the set takes on a relentless, exhilarating pace with each hit and neglected B-side piling on top of each other, adding a new dimension to the group; it has a power it wouldn't have had if it tried to sample from the albums.

3CD Box Set. Digitally remastered from original master recordings. Released in a 12" recordsized box including a 72 pagebook with pictures, sleeves and lyrics.
Rundgren, Todd - Something/Anything
(Victor VICP-75036/7 Jap-12 350:-)

After two albums, Todd Rundgren had one hit and a burgeoning cult following, plus growing respect as a hitmaking record producer. There's no question he was busy, but as it turns out, all this work only scratched the surface of his ambition.

He had decided to abandon the Runt pretense and recorded a full double album by himself (save for one side). Others had recorded one-man albums before, most notably Stevie Wonder and Paul McCartney, but Rundgren -- without borrowing musically from either artist -- captured the homemade ambience of McCartney with the visionary feel of "Music of My Mind", adding an encyclopedic knowledge of pop music from Gilbert & Sullivan through Jimi Hendrix, plus the crazed zeal of a pioneer.

Listening to "Something/Anything?", is a mind-altering trip in itself, no matter how many instantly memorable, shamelessly accessible pop songs are scattered throughout the album.

K2 HD Mastering; Vinyl Replica Paper Sleeve
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