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Damned - Damned Damned Damned
(Stiff SEEZ-1 UK-77 EX 800:-)

Released in early 1977, this was one of the first punk albums issued and it remains a certified punk classic which sounds as fresh and vital today as it did in 1977. The album blasts off with the searing "Neat Neat Neat," a raging slab of buzzsaw guitars, crashing drums, and the sneering vocals of Dave Vanian that ranks among the 20 best punk songs of the era.

Rare original UK pressing, housed in a fully laminated picture sleeve with Island logo on the reverse. An all-time classic punkrock record!
Darin, Bobby - At the Copa
(Atco SD-33-122 US-60 EX 300:-)
Darin at the Copa is the live document from Bobby Darin's standing-room-only engagement at Jules Podell's Copacabana club in New York City, an appearance that confirmed for the adult pop crowd that the former singer of ephemera like "Splish Splash" had made the complete transition from rock & roll to more "serious" music.
Davis Group, Spencer - 2nd Album
(Island SLP-1402 Swe-65 VG+ 400:-)

More Blues and soul from Britain's highly American influenced soulful blues band of sorts. Their first really big single, "Keep On Running" appears on this disc!

Original Swedish Vinyl, on the "2nd Pink" Island label.
Dee Jays - Haze
(Hep House HLP-02 Swe-67 VG 500:-)

Johnny Vallon & the Dee Jays formed in the late 1950s in London. Thanks to Roland Ferneborg (manager of The Spotnicks), they came to Sweden in 1963 for a two month tour and ended up staying for five years. In 1964, when Vallons had to move back to England, the band found a new vocalist and started performing as "The Deejays".

Original Swedish pressing. Both sleeve and vinyl are graded VG; the vinyl has an ugly mark on Track 1, Side 1, which, amazingly does not affect the playing!
Dio - Absolutely Live
(Picture Disc, Unofficial Release EX 375:-)

Dio was a heavy metal band formed by singer Ronnie James Dio and drummer Vinny Appice in 1982 following their depature from Black Sabbath. Although Ronnie claimed that his intention was to form a band and not a solo project, he remained the only continuous member and the prime creative force in the band throughout its lifespan.

Recorded live at Draken, Stockholm, Sweden on November 17th, 1983.
Dissing, Povl - Dissing
(Sonet SLPS-1510 Den-7? EX 300:-)

Povl Dissing was one of Denmarks most popular singer/songwriters.

DISSING (1968) features members of the danish bluesgroup Beefeaters.

2nd Danish pressing, on the red/orange label; both sleeve and vinyl are in Excellent condition!
Donovan - What's bin Did and what's bin Hid
(Pye NPL-18117 UK-65 EX 400:-)

Donovan's early sound was a very basic folk-revival approach heavily influenced by the likes of Woody Guthrie, Ramblin' Jack Elliott, and of course, Bob Dylan, to whom the young Donovan was compared ad nauseam by the British press. The best-known song here is "Catch the Wind," a romantic ballad that became one of Donovan's early staples.

Original 1965 Pye 12-track mono LP, front laminated flipback picture sleeve.
Doors - Full Circle
(Elektra EKS-75038 US-72 VG+ 300:-)

"Full Cirlce" is the last project of original material to be issued under the Doors moniker. While there are a handful of undeniably remarkable cuts scattered throughout, Full Circle is increasingly sporadic and less focused than its predecessor, Other Voices. The cover has two extra pages attached, that you can cut and paste into a ''zoetrope''. The result of your industriousness will be a wheel that you can put on your turntable to produce the effect of a human being running through the circle of life.

The sleeve shows just some light edgescuffing & mild shelfwear with a cut-out in the lower left corner; the vinyl is in Excellent condition - A nice complete copy!
Dr Feelgood - As it Happens
(United Artists UAK-30239 UK-79 EX 275:-)

Dr Feelgood was the ultimate working band. From their formation in 1971 to lead vocalist Lee Brilleaux's untimely death in 1994, the band never left the road, playing hundreds of gigs every year. Throughout their entire career, Dr Feelgood never left simple, hard-driving rock & roll behind, and their devotion to the blues and R&B earned them a devoted fan base.

Limited edition 13-track vinyl LP recorded live at The Pavilion in Hemel Hempstead and Crocs in Rayleigh, Essex; plus bonus 4-track 7" vinyl EP featuring Riot In Cell Block No. Nine, The Blues Had A Baby And They Named It Rock 'n' Roll, Lights Out and Great Balls Of Fire.
Dunbar, Aynsley - Dr Dunbars Prescription
(Sonet SLP-73 Swe-69 VG+ 600:-)

The Aynsley Dunbar Retaliation's second album was much the same as their first, offering competent late-'60s British blues, given a slightly darker cast than was usual for the style via Victor Brox's somber vocals. Like their debut, it was dominated by original material, and as on its predecessor, the best of these tracks were the ones that utilized Brox's gloomy, almost gothic organ, if only because it made them stand out more among the company of the many similar bands recording in the prime of the British blues boom.

Original Swedish Vinyl; the sleeve has some minor marks and loss of lamination - the vinyl is graded Excellent!
Dunbar, Aynsley - Retaliation
(Liberty LBS-83154E UK-68 VG 500:-)

Of the numerous British blues-rock bands to spring up in the late '60s, the Aynsley Dunbar Retaliation was one of the better known, though solid reception on tours did not translate into heavy record sales. Musically, the group recalled John Mayall's Bluesbreakers during the 1966-1967 era that had produced the "A Hard Road" album, though with a somewhat more downbeat tone.
This first album from the group would prove the most successful of the four issued under the Retaliation banner.

Original UK pressing. The vinyl has some marks, but plays VG; the sleeve is graded VG+.
Dylan, Bob - A Thousand Miles Behind
(bootleg US-7? EX 500:-)

Here is a very early and hard to find piece from 1970. The label is blank, and no information is known as to the manufacturer. It was produced in the USA, most likely from the West coast. The first issue had a very small title stamp on the front of a blank white cover. No other information was included. Later editions had a 5x7 white or yellow insert pasted over the stamp. This is a copy of the later edition with the white insert.

Side one:
Who killed Davy Moore? *
Moonshine blues **
Allen Stone Interview (partial)
Please, Mrs. Henry
Million dollar bash
Yea! Heavy and a bottle of bread
Allen Stone Interview (partial)
Car car *** Side two:
Ballad of Donald White *
Man on the street
He was a friend of mine
Song to Woody
One too many mornings ** Side one is the 1967 Basement tapes except:
* Carnegie Hall October 26 1963
** 'Times' outtake
*** Gaslight tape.
The interviews are from the Allan Stone interview from Detroit, in October of 1965

Side two is from the Gaslight tapes except for
* Broadside show WBAI radio, NY - March '62
** 1969 Johnny Cash TV documentary
Dylan, Bob - Biograph
(CBS 66509 Hol-85 EX 400:-)

This was Columbia's first attempt to anthologize Dylan in the box-set format. Unlike the later BOOTLEG SERIES, though, BIOGRAPH does double duty as treasure trove of previously unreleased material and greatest hits package.

From "Tangled Up in Blue" to "I Want You," most of Dylan's FM radio staples are here, painting a clear historical picture of both his development as an artist and his transformation from rabble-rousing underdog to popular culture icon.

5-LP Box Set, including a 36 page booklet with interviews and notes by Bob and a 12 page booklet with notes on each song.
Dylan, Bob - Bootleg Series 1-3
(Columbia 889853-63341 EU-17 EX 700:-)

Bob Dylan proved to be not only one of the most bootlegged of 20th Century performers, but also one of the first (GREAT WHITE WONDER was one of the releases that turned bootlegging from a pastime into an industry).

Over the years, Dylan's legions of fans rabidly traded recordings of live shows, out-takes, demos and other rare material. THE BOOTLEG SERIES attempts to supply the definitive collection of what had been bootlegged material. Its 5 LP's move along chronologically, spanning the length of Dylan's career and providing candid, previously verboten glimpses into his creative process, and consequently, his musical genius.

2017 re-issue 5LP Box Set with a 12" x 12" booklet.
Dylan, Bob - Good as I been to You
(Columbia ‎COL-472710-1 Hol-92 EX 500:-)

This 1992 release was Dylan's first solo acoustic release since his early-'60s folkie period. By the early '90s, the archetypal song poet had gone down so many wrong compositional roads he rightly decided it was time to take a break from songwriting.

Focusing on traditional folk songs (and recorded live in the studio in one take) - Dylan reinvents his Guthrie-derived '60s folk style, using the age and wisdom inherent in his raspy voice to invest these songs with new life.

Original Dutch pressing; both sleeve and vinyl are graded EX.
Dylan, Bob - Great White Wonder
(Unofficial BD-LP101/2 Swe-69 VG+ 600:-)

One of the most famous bootlegs of all time. This is the first bootleg ever to be produced in the rock-and-roll era.

The 2LP set was supposedly composed of mostly unheard songs recorded by Bob Dylan and members of the Hawks (or The Band). Other material included a never-before heard (by the masses) version of Dylan’s tune “The Mighty Quinn” and a couple other songs in previously non-recorded versions.
Dylan, Bob - John Birch Societey Blues
(bootleg Swe-7? EX 500:-)

This title was used for many different albums. TMOQ and Berkeley, among others, have released a wide variety of forms of this LP; all based on the original "GWW Sings the John Birch Society Blues".

Side one:
Mixed up confusion
East Laredo
I'll keep it with mine
John Birch Society blues
Who killed Davy Moore?
Eternal circle
Ramblin' gamblin' Willie

Side two:
I was young when I left home
Percy's song *
Corrina Corrina **
In the evening
Long John

Sources
Side1
1) CBS 45 released in 1962
2) "Another side" outtake June 1964
3) "BIABH" outtake 1965
4) Original "Freewheelin' " 1962-63
5) Carnegie Hall October 26, 1963
6) "Times" outtake 1963
7) Original "Freewheelin' " 1962-63
Side 2
Minneapolis, December 1961 except:
* "Freewheelin" outtake 1963
** CBS 45 released in 1962
Dylan, Bob - Stars of '66, vol 2
(GWW 662 Ger-86 EX 300:-)

Dylan's 1966 World Tour was notable as the first tour--actually a continuation of his late 1965 U.S. tour--where Dylan employed an electric band backing him, following his "going electric" at the 1965 Newport Folk Festival. The musicians Dylan employed as his backing band were known as The Hawks; they subsequently became famous as The Band. Because Dylan was now playing "electric", he was being constantly heckled by folkniks or angry fans throughout the second, electric half of a concert.

This 2-LP set on colored vinyl was recorded at the Royal Albert Hall, London, on May 27, 1966.
Dylan, Bob - Stealin'
(bootleg Swe-70 EX 500:-)

This 1969 release is among the first bootlegs ever made in the Rock era. It remains one of the best as far as song selection and quality as well. It contains studio outtakes from The Times they are a-changing, Another Side of Bob Dylan, Bringing it all Back Home, Highway 61 Revisited and four songs from the Minnesota Tapes. 1970 saw the release of this curious USA piece from an unknown Label. Because of the fact that it has no matrix, a blank label, and was issued in a blank white cover; it is referred to as the 'Blank Label' album. Pressed from it's own unique plates, it is slightly inferior to the Har-Kub release. Also, for whatever reason, 'Sitting on a barbed wire fence' has been omitted from side one. The LP was exported to Sweden where it was repackaged and released by Skand Industrioffset.
Dylan, Bob - The Basement Tapes, vol 1 & 2
(Surprise BD-1967-A/H EU-86 EX 800:-)

Bob Dylan used the alias Blind Boy Grunt for recordings he made for Broadside Records in 1962–63. The alias was revived by the compilers of this unauthorized release, which nowhere includes the name Dylan—though the extensive rear cover notes do refer several times to "Bob."

During his 1965-1966 world tour, Dylan was backed by a five-member rock group, The Hawks, who would later become famous as The Band. After Dylan was injured in a motorcycle accident in July 1966, four members of The Hawks came to Dylan's home in the Woodstock area to collaborate with him on music and film projects. While Dylan was out of the public's eye during an extended period of recovery in 1967, he and the members of The Hawks recorded more than 100 tracks together, incorporating original compositions, contemporary covers, and traditional material. While some of the basement songs are humorous, others dwell on nothingness, betrayal and a quest for salvation. In general, they possess a rootsy quality anticipating the Americana genre.

This 4-LP set consists of two volumes; both sleeves and vinyls are graded EX.
Dylan, Bob - Trouble no More
(Sony 8985-45466 EU-17 EX 500:-)

Dylan on the road from the late 70s to early 80s – bringing words and wisdom that are more spiritually inspired than anything he'd put out before – backed by some of the most soulful arrangements and players he's ever had behind him!

"Trouble No More" is all unreleased material and focuses on the live shows in support of what's since been dubbed Dylan's "Christian Period" – which is essentially true – and has long been ripe for a reassessment. The gravelly nature of his voice in the later years, which kind of begin here, gives it a really passionate vibe, while the bluesy soul arrangements and gospel style backing singers provide such a lovely backdrop.

All tracks are previously unreleased, and captured live from throughout the 1979-1981 tours – with a few that were never on any Dylan studio albums at all, making the live recordings all the more vital!
Dylan, Bob - Woodstock Revisited
(Trade Mark Of Quality [bootleg] US‎–86 EX 275:-)

The small town of Woodstock is a two-hour drive from New York, in the Catskill Mountains. It has been a retreat for artists since a Manchester mill-owner’s son created a colony there in 1902, inspired by the Arts and Craft movement. Woodstock’s wooded hills might have remained a secret hideaway for creative New Yorkers if Bob Dylan had been better at handling a motorbike. His 1966 accident near his Woodstock holiday home led to his near complete disappearance: in the next eight years, he would make just four live appearances.

For much of that time Dylan hunkered down in Woodstock, recording more than a hundred songs in demo form. As tranches of these songs began to appear, first in recordings by other artists, then as bootlegs, Dylan was transformed from a star into a legend.

The source for this TMOQ title (pressed on grey vinyl) is the legendary basement tapes recorded at Big Pink (the Woodstock, New York home owned by The Band) between April and October 1967.
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