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Faces - Ooh La La
(Warner K-56011 UK-73 VG+ 400:-)

The final full album from the legendary Faces – a group who've got all their best elements sharply in focus here, in a way that really stands apart from the growing solo fame of Rod Stewart! Rod the god is still at the helm on vocals – and really sounds incredible – but the group energy of performance is what really drives things throughout – the vibe that makes you realize that these guys play together as well as they party together! Ronnie Wood is sublime on guitar, Kenny Jones tears up the drum kit, and Ronnie Lane's sense of timing holds the whole thing together beautifully.

Original UK pressing in die-cut sleeve; complete with poster.
Farlowe, Chris - 14 Things to Think about
(Immediate IMLP-005 UK-66 VG+ 300:-)

Chris Farlowe's debut LP for Immediate Records actually offers one a lot to think about and even more to enjoy, while pondering how this white Englishman could pour forth such convincing gutbucket soul. One of the finest soul albums to come out of England (or anywhere else) that year.

Original UK Vinyl; the sleeve has a previous owners name in ballpoint on the back; the vinyl is graded Very Good+.
Fripp & Eno - No Pussyfooting
(Island HELP-16 UK-73 VG+ 500:-)

The first appearance of the Frippertronics delay line built by Fripp and Eno out of a couple of tape decks. Somehow even though this is nearly pure process music, it manages to sound far from dated, cliched or boring – ambient bliss meets only slightly noodly prog guitar in a hall of mirrors. 2 long tracks – "The Heaveanly Music Corporation" and "Swastika Girls" – both sidelong numbers coming in at around 20 minutes.
Front Line Assembly - Caustic Grip
(Third Mind TMLP60 Hol-90 VG+ 375:-)

The mid-1980s saw a great convergence of cool, synth-driven dance music infused with the dark menace of Industrial, and Front Line Assembly were one of the brightest sparks at this collision.

"Caustic Grip" creates the perfect vision of a cold, dark industrial reality. The album builds a brilliant momentum through songs that favour a razor-sharp mechanical beat structure interspersed with staccato bass/synth lines and strings occasionally layered on top of that.
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