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Ciotti, Roberto - Super Gasoline Blues
(Strange Days POCE-1189 Jap-07 225:-)

Roberto Ciotti (1953–2013) was an Italian bluesman, composer and professional guitarist. Born in Rome, Ciotti began playing the guitar at the age of 12. From 1970 to 1972 he was a member of the jazz band Blue Morning, then he started a solo career as a bluesman, collaborating with Chet Baker, Francesco De Gregori and Edoardo Bennato, among others. His debut album was "Supergasoline Blues", released in 1978.

Vinyl Replica Paper Sleeve
K-Doe, Ernie - A Real Mother-in-Law for Ya
(Westside WESA-915 UK-02 275:-)

Since his big hit was "Mother-In-Law," a funny song that could easily be perceived as a novelty, Ernest Kador Jr is often dismissed when it comes to the top rank of New Orleans R&B singers. That's an inaccurate assessment, as this delightful compilation proves. Part of the reason, of course, is that these are the Toussaint sessions, and Allen Toussaint is the king of late-'50s and -'60s New Orleans R&B, not only writing classics like "Mother-in-Law," but producing sessions that had precisely the right combination of rolling rhythms, horns, mellow funk, pianos, and warm vocals from the friendly, skilled Ernie K-Doe. He didn't have as rich a selection of material as, say, Fats Domino or Lee Dorsey, but he was at the top tier of the second tier, as this compulsively listenable 29-track collection proves.
Slim & Slam - Complete Recordings 1938-1942
(Affinity AFS-1034-3 UK-92 175:-)

Slim & Slam were a novelty duo that formed in 1936, consisting of guitarist/singer Slim Gaillard and bassist Slam Stewart. The pair's first recording together, "Flat Foot Floogie," would also be their biggest hit as well, although other lesser hits followed through the early '40s (including "Tutti Frutti" and "Laughin' in Rhythm").

This 3CD Box Set contains recordings made between 1938 and 1942.
Vaughan, Stevie Ray - Couldn't Stand the Weathe
(Epic EK-53927 US-94 175:-)

Stevie Ray Vaughan's second album pretty much did everything a second album should do: it confirmed that the acclaimed debut was no fluke, while matching, if not bettering, the sales of its predecessor, thereby cementing Vaughan's status as a giant of modern blues.

US limited edition 'Master Sound' 24kt GOLD 8-track 20-bit 'Super Bit Mapping' audiophile picture CD album, housed in a 12" x 6" book-style artwork stickered longbox with integral fold-out picture insert.