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Castells - So This is Love
(London HLN-9551 no PS UK-62 sos EX 200:-)

The Castells were a male vocal quartet from Santa Rosa, California best remembered for their hits "Sacred" (#20 in 1961) and "So This Is Love" (#21 in 1962), both released on Era Records.[1]

Their sound blended light rock with elements of collegiate harmony singing and jazz, and proved popular with teenagers as well as adults.


Original UK single, b/w "On the Street of Tears".
Chesterfield Kings - A Dark Corner
(Mirror VPA-2063 US-82 EX 225:-)

Upstate New York's Chesterfield Kings landed upon the growing punk/new wave scene in the late '70s with an unbelievably raw '60s rhythm & blues sound that borrowed heavily from pre-1966 Rolling Stones.

The group, so unlike any other underground sensations of the period, arguably kickstarted the entire '80s garage rock revival, which flourished in small circles until the end of the decade.

This was their fourth single, b/w "I'm Going Home".
Chesterfield Kings - She told me Lies
(Mirror VPA-651 US-84 EX 225:-)

Upstate New York's Chesterfield Kings landed upon the growing punk/new wave scene in the late '70s with an unbelievably raw '60s rhythm & blues sound that borrowed heavily from pre-1966 Rolling Stones.

The group, so unlike any other underground sensations of the period, arguably kickstarted the entire '80s garage rock revival, which flourished in small circles until the end of the decade.

This was their fitfth single, b/w "I've gotta Way with Girls", and was taken from their second album.
Cooper Temple Clause - See this Through and Leave
(Morning 20 UK-02 EX 200:-)

England's the Cooper Temple Clause were an instant success with music fans and undeniably claimed the unofficial title of British Music Magazine's "Darlings of 2002," earning popularity and respect in equal measures throughout the year. On See This Through and Leave, no less than five singles are collated together with equally impressive album tracks to provide one of the most accomplished debut efforts of any British rock band since Mansun or Muse.

Limited edition 6 x 7" no'd (#2692) box set.
Cramps - I ain't Nuthin' but a Gorehound
(New Rose NEW-33 Fra-83 EX 175:-)

The Cramps were Psychobilly pioneers who developed a brain-frying mix of rockabilly and garage rock with a gloriously tasteless vision of American trash culture.

1983 French 7" single; b/w "Weekend On Mars", housed in a great Frankenstein monster picture sleeve.
Creation - Making Time
(Raw RAW-4 UK-77 EX 225:-)

The Creation burst on the British pop/rock scene in 1966 with "Making Time," a single that seemed to have everything going for it -- a killer beat after a brief (but catchy) stop-and-go intro, a great chorus, and a flashy, slashy, crunchy lead guitar part by Eddie Phillips. But thanks to an unaccountable weakness in their British sales -- as opposed to their German chart action, which was downright robust -- and some instability in their lineup, they were never to enjoy any of the recognition they deserved, and a right turn from psychedelia into soul at the wrong moment took whatever wind they had out of their sails (and sales.

Scarce UK re-issue, b/w "Painter Man", in an unique picture sleeve.
Cure - Charlotte sometimes
(Fiction FICS-14 UK-81 VG+ 175:-)

The Cure was the flagship for Great Britain's post-punk gloom-rock trend of the late '70s, with a ghoulish image that masked the diversity of their music.

Original 1981 UK Fiction injection label 7" single, also including "Splintered In Her Head", paper picture sleeve which shows the lightest signs of ringwear from the raised centre label area, otherwise the vinyl is in Excellent condition!
Cure - Jumping someone else's Train
(Fiction FICS-005 UK-79 VG+ 200:-)

If you ever observed (or were) a pale depressed-looking teenager dressed entirely in black, sitting in the corner scribbling frantically into a marble bound notebook, then you already understand the Cure. In the 1980s, the Cure provided the soundtrack for an entire generation of misfits.

Rare original UK single, b/w "I'm Cold". The sleeve has some light wear; the vinyl is graded EX.
Cure - Killing an Arab
(Fiction FICS-001 UK-78 VG+ 400:-)

Out of all the bands that emerged in the immediate aftermath of punk rock in the late '70s, few were as enduring and popular as the Cure. Led by guitarist/vocalist Robert Smith, the band became well-known for its slow, gloomy dirges and Smith's ghoulish appearance, a public image that often hid the diversity of the Cure's music.

1978 Fiction light-blue injection label single, also including "10.15 Saturday Night", housed in a flipback picture sleeve.
Cure - Primary
(Fiction FICS-12 UK-79 VG+ 200:-)

If you ever observed (or were) a pale depressed-looking teenager dressed entirely in black, sitting in the corner scribbling frantically into a marble bound notebook, then you already understand the Cure. In the 1980s, the Cure provided the soundtrack for an entire generation of misfits.

Rare original UK single, b/w "Descent". The sleeve shows some light wear; the vinyl is graded EX.
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