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Association P.C. - Rock Around the Cock
(MPS/BASF ‎21.21763-9 Ger-73 VG+ 375:-)

This ‘free fusion’ quintet consisted of some of the top names in European jazz, including pianist Joachim Kühn. All but one of the pieces are freely improvised - Kühn said the album was “the result of our searching” – and what the listener will find is one exciting adventure.

The gatefold sleeve has a cut-out notch in the upper left corner.
Babs, Alice - Alice in Wonderland
(Decca LK-4326 Swe-59 VG+ 500:-)

A popular singer when she was still a young teenager, Alice Babs has had a long and varied career. She made her recording debut in 1939 at the age of 15 and, although her yodelling made her initially popular and the novelty "Swing It, Mr. Teacher" was her first hit, Babs even at the start had a highly appealing voice and a lightly swinging style. She mostly recorded in jazz and swing-oriented settings throughout the years of World War II. Babs remained active throughout the 1950s and '60s in Europe, singing everything from jazz (recording with Duke Ellington in 1963 and performing the classic "Heaven" at his second spiritual concert) and pop to a bit of classical music. By the late '70s, Alice Babs had become less active but into the mid-'90s, she occasionally performed on special occasions.

Very uncommon first issue in great condition. This is the original from 1959 ( later released on Telestar ) on the lightblue Decca label. The music is charming vocal jazz not unlike Monica Zetterlund's "Swedish sensation" album. Listen to "I can't give you anything but love" with music from Benny Bailey, Arne Domnerus & Bengt Hallberg among others. Very clean copy, just a few pressing marks on vinyl not affecting play.
Beckett, Harry - Got it Made
(Ogun OG-020 UK-77 EX 375:-)

Harold Winston Beckett's reputation extends throughout Europe and the USA. He played with Charles Mingus in the film ‘All Night Long’, and has worked with John Surman, Graham Collier, Django Bates, Ronnie Scott, Kathy Stobart, Charlie Watts, Stan Tracey, Annie Whitehead, Jah Wobble, David Murray, Pierre Dorge, Chris McGregor's Brotherhood of Breath, Ian Carr's Nucleus, to name but a few.

For his Joy Unlimited project, Beckett recruited a solid bunch of fellows; Ray Russell, Roy Babbington, Alan Jackson and others with one foot in jazz and beyond and the other in rock and musicals. The result is accessible, but never facile, slick or clichéed.

Original UK pressing; both sleeve and vinyl are graded EX.
Blakey's Jazz Messengers, Art - Ugetsu
(Riverside RM-464 US-63 VG+ 400:-)

One of Art Blakey's best non-Blue Note albums of the 60s – a hard-wailing live set that fully exploits the best talents of the six-piece version of the Jazz Messengers! The group here is that tremendous sextet that featured Freddie Hubbard on trumpet, Curtis Fuller on trombone, Wayne Shorter on tenor, and Cedar Walton on piano – all working with Blakey to rework the earlier mode from his quintet years – in a way that actually allowed for a bit more lyricism and introspection!
Carter, Benny - Swingin' the 20's
(Contemporary S-7561 US-58 EX 400:-)

Combining altoist Benny Carter with pianist Earl Hines in a quartet is an idea with plenty of potential, but the results of this 1958 session are relaxed rather than explosive. Carter and Hines explore a dozen tunes (standards as well as forgotten songs like "All Alone" and "Mary Lou") with respect and light swing, but one wishes that there were a bit more competitiveness to replace some of the mutual respect.
Davis, Eddie - Count Basie presents
(Roulette R-52007 US-58 EX 400:-)

Great small combo work from Eddie Lockjaw Davis – very much in the mode of his early Cookbook albums for Prestige, but with the added bonus of Count Basie on piano and Joe Newman on trumpet! Davis' raw tenor sound gets plenty of time in the spotlight, but Newman gets in a few strong solos too – and although Shirley Scott is backing up the group with the strongest sound on Hammond, Basie also tickles the ivories a bit in the background – and ensures that there's a bit of a Basie swing to the whole record! Titles include "Farouk", "Lock Up", "Telegraph", "Marie", "Swingin Till The Girls Come Home", "Street Of Dreams", and "A Misty One".
Davis, Miles - At Fillmore
(CBS S-66257 UK-71 VG+ 375:-)

Throughout a professional career lasting 50 years, Miles Davis' approach to jazz was dazzlingly protean - he was in the thick of almost every important innovation and stylistic development in Jazz music, and he often led the way in those changes, both with his own performances and recordings and by choosing sidemen and collaborators who forged new directions.

AT FILLMORE is the second release to document Miles' live presentation of BITCHES BREW's breakthroughs. Broken up into four parts, it shows the unprecedented growth of the same band that recorded BLACK BEAUTY just three months earlier. The addition of Keith Jarrett's organ expands the music even further over the borders that defined "jazz," creating a singular hybrid of rock, blues and jazz.

Original UK pressing in a gatefold pocket picture sleeve. The sleeve shows minimal wear - the vinyl is graded EX - a nice copy!
Ellington, Duke - Cosmic Scene
(Columbia CL-1198 US-58 EX 300:-)

A lost Ellington gem from the late 50s – a session that has a decidedly different look than some of his other records of the time! We don't know if the Duke was into Sun Ra – but it almost seems like he was copping his thunder with this title and band name – a fair bit more flashy than the usual presentation for the Ellington group! The record's not nearly as trippy as you'd expect – but it's still a prime set of Ellingtonia from those key late 50s years – material played by a smaller group of "Spacemen" than Duke's fuller orchestra – with a bit more room for small group interaction, almost in a Verve mode.

Original US MONO pressing; both sleeve and vinyl are graded EX.
Grupo Cubano De Jazz ‎– Jazz Cuba
(Palma LP-1011 Cub-64 VG+ 275:-)

Fantastic afro-cuban jazz recording by trombonist Pucho Escalanta and his jazz crew.

Rare Cuban pressing; both sleeve and vinyl are graded VG+.
Herbolzenheimer, Peter - Wide Open
(MPS 21.21948-8 Ger-73 EX 300:-)

Peter Herbolzheimer’s band offers up a full bag of brassy tricks on their second MPS recording of 1973. WIDE OPEN contains the full course with all the trimmings – luscious arrangements, a vibrant rhythmic foundation, and heady solos. RC&B at its brassy best.

Original German pressing; both sleeve and vinyl are graded EX.
Kessel, Barney - Kessel plays Standards
(Contemporary C-3512 US-56 EX 700:-)

Guitarist Barney Kessel teams up with Bob Cooper (mostly on oboe but also doubling a bit on tenor), either Claude Williamson or Hampton Hawes on piano, Monty Budwig or Red Mitchell on bass, and Shelly Manne or Chuck Thompson on drums. Other than his own "64 Bars on Wilshire" and "Barney's Blues," the repertoire is comprised of jazz standards. Inventive frameworks and the utilization of Cooper's jazz oboe (a real rarity in jazz of the time) give the otherwise boppish session its own personality.

Original US pressing; both sleeve and vinyl are graded EX.
Koivistoinen, Eero - The Front is Breaking
(Love LRLP-188 Fin-76 VG 700:-)

Eero Koivistoinen, one of the all-time greats in Finnish jazz and saxophone, arrived in the Finnish jazz scene in the mid-60s. Ever since, he has been one of the most distinguished and trusted jazz musicians in Finland.

"The Front is Breaking" features great musicians such as Olli Ahvenlahti, Pekka Pohjola, Jukka Tolonen, Georg Wadenius and others.
Lawson-Haggart Band - Boppin' at the Hop
(Brunswick STA-3010 UK-60 EX 800:-)

These great instrumentals are arranged and played especially for dancing... Nobody sits when the Lawson-Haggart group starts rockin'!
Louiss - Surman - Humair ‎– Our Kind Of Sabi
(MPS Records MPS-15049 Fra-70 EX 350:-)

The brilliant French Hammond organist and pianist Eddy Louiss worked with the likes of Kenny Clarke, Jean-Luc Ponty, and Stan Getz; reed player John Surman and drummer Daniel Humair have long been major forces on the European scene.

"Our kind of Sabi" is a classy trio album with Louiss’ superb Hammond organ play front and center and a glimmering of the Caribbean dancing in the shadows.

Original French pressing; both sleeve and vinyl are graded EX.
Malfatti-Wittwer - Thrumblin
(FMP Records FMP-0350 Ger-76 VG+ 500:-)

This series of startling duets features two extremely underrated musicians - trombonist Radu Malfatti and guitarist Stephan Wittwer, who warp their instrument's trademark sounds into unusual textures and timbres. Better yet is their near telepathic interplay and ability to create continual surprises.

Original German pressing. The sleeve shows some minor wear - the vinyl is graded EX.
Mellé, Gil - Tome VI
(Verve V6-8744 US-68 EX 300:-)

An amazing little album – a set that's billed as the first album of "electronic jazz", and which features Gil working with his Jazz Electronauts combo!

Although Melle's perhaps best known for his baritone sax modern sides of the 50s for Blue Note and Prestige, his influence on this album is possibly a far greater one on modern music – because Gil creates a sublime blend of jazz roots and more sophisticated instrumentation – cast out in ways that are complicated, yet never too harsh or overly-academic! The electronic aspects of the record are sometimes sparing – mixed into the styles of the combo, often through Gil's use of soprano sax – almost as a magic wand to shape the sound of the rest of the music.

Original US pressing; both sleeve and vinyl are graded EX.
MJQ / Oscar Peterson - At the Opera House
(Verve MGV-8269 US-57 EX 275:-)

The MJQ make a rare appearance on Verve Records in the 50s – splitting half the album here with the classic Oscar Peterson Trio!

The live performance was recorded in Chicago, and definitely has the MJQ working in a looser vibe than on some of their late 50s recordings for Atlantic – a bit more open and swinging, in a Verve mode – with some of the bop inspiration that first showed up on their early Prestige recordings.

The second half of the record features live material from Oscar Peterson's hip group with Herb Ellis on guitar and Ray Brown on bass – that great drum-less lineup that really lets Oscar take off on piano!
Moody, James - Moody's Mood for Love
(Metronome MLP-15219 Swe-66 EX 275:-)

James Moody was an institution in jazz from the late '40s into the 21st century, whether on tenor, flute, occasional alto, or yodeling his way through his "Moody's Mood for Love". After serving in the Air Force (1943-1946), he joined Dizzy Gillespie's bebop orchestra and began a lifelong friendship with the trumpeter. Moody toured Europe with Gillespie and then stayed overseas for several years, working with Miles Davis, Max Roach, and top European players. His 1949 recording of "I'm in the Mood for Love" became a hit in 1952 under the title of "Moody's Mood for Love".

The tunes on this album was recorded in Stockholm between in October 1965 and features Swedish jazz giants Arne Domnérus, Gösta Theselius, Rolf Berg a.o.

Original Swedish pressing. Both sleeve and vinyl are graded EX.
Nichols, Herbie - The Third World
(Blue Note BN-LA485-H2 US-75 VG+ 300:-)

One of jazz's most tragically overlooked geniuses, Herbie Nichols was a highly original piano stylist and a composer of tremendous imagination and eclecticism. He wasn't known widely enough to exert much influence in either department, but his music eventually attracted a rabid cult following, though not quite the wide exposure it deserved.

This 2LP set contains the complete Blue Note recordings by Nichols.
Silver, Horace - Total Response
(Blue Note BST-84.368K Ger-70 EX 275:-)

Horace Silver at his most righteous – stepping out here in the amazing Phase 2 of his United States Of The Mind series – with some heavy vocals from the great Andy Bey! The grooves are more complicated than Silver was laying down a few years before – yet still equally soulful – and in addition to vocals by Be, and his sister Salome, the group also features Silver on electric piano, plus Cecil Bridgewater on trumpet & fluegelhorn, Harold Vick on tenor sax, and Bob Cranshaw on bass, Richie Resnicoff on guitar and Mickey Roker on drums – a sweet little combo who really open up with a hip, righteous groove!

Original German pressing; the sleeve shows very minor wear - the vinyl is graded EX
Sun Ra - Pictures of Infinity
(Black Lion 28.421-4U Ger-72 EX 300:-)

Dressing in flowing, priestly robes and solemnly claiming to originate from the planet Saturn, all-around jazz guru Herman Poole Blount made music of enigmatic, magisterial beauty for half a century.

"Pictures of Infinity" is a live album, one of the recordings authorized and issued during his lifetime. Although no precise date is given, these five cuts are thought to have been documented circa 1967-68. Tenor saxophonist John Gilmore is particularly potent with his flawless fluidity running melodic yet hard bopping lines over top of the solid rhythm section.

Thomas, Joe ‎– Is The Ebony Godfather
(Today TLP-1004 US-71 EX 400:-)

The greatest album ever recorded by Joe Thomas – and a hip batch of funky flute tracks that ranks with the best work of Jeremy Steig or SOUL! Joe's blowing here with arrangements by Chico O'Farrill – strangely off-beat backings that add in more than a touch of Latin to the funk, making for a strong little groove on the best cuts. There's a couple of short funky 45 cuts on here, like "Chitlins & Chuchyfritos" and "Ebony Godfather", but the real winner is a long version of Gary Byrd's "Every Brother Ain't a Brother", which features Joe soloing next to some great funky keyboards!

Original US pressing.
Tolonen, Jukka - Tolonen!
(Love LRLP-47 Fin-71 VG+ 275:-)

Jukka Jorma Tolonen is a virtuoso guitarist, who is highly respected in his native Finland as well as in Sweden, where he has lived for long periods.

Tolonen's debut solo album contains a very special jazz rock fusion. There are 'progressive' overtones all over the place: a little Zappa influence here and a Pekka Pohjola and Wigwam compositional style there... (which comes as no surprise since Tolonen played with both these artists).
v/a - Sounds
(Blue Tower BTLP-01/02 Swe-90 VG+ 400:-)

The small Blue Tower label began its documentation of the Swedish free improvisation scene, circa the late '80s, with this monumental double album. Musically, it is a superb collection that shows the country's improvisers operating with the force, precision, and -- most importantly -- overall weirdness of the British improvising scene of the '70s. The lavish packaging and thorough liner notes in the form of a handsome bilingual booklet smartly attached inside make this quite a desirable item to have in one's collection.
Vesala, Edward - Mau Mau
(Johanna JHN-2071 Fin-82 VG+ 375:-)

Martti Vesala began playing jazz and rock in the 1960s, in such bands as Blues Section and Apollo. In the 1970s, he led his own jazz groups, recording several albums of his own compositions that combined jazz, classical music, tango, and folk music.
Vesala, Edward - Nan Madol
(Japo 60.007-ST Ger-74 VG+ 275:-)

Martti Vesala began playing jazz and rock in the 1960s, in such bands as Blues Section and Apollo. In the 1970s, he led his own jazz groups, recording several albums of his own compositions that combined jazz, classical music, tango, and folk music.

If jazz was ever meant to be a religion, its prayers might sound something like "Nan Madol". The title means “spaces between”, and no description of this music could be more apt. The album is an eclectic mandala of drones, eruptions of ecstatic liberation, and snatches of melody from both near and far. Influences range from Japanese folk melodies to Alpine herding calls, and all of them strung by a powerful understatement of continuity.
Vesala, Edward - Neitsytmatka
(Polarvox LJLP-1014 Fin-82 VG+ 500:-)

Martti Vesala began playing jazz and rock in the 1960s, in such bands as Blues Section and Apollo. In the 1970s, he led his own jazz groups, recording several albums of his own compositions that combined jazz, classical music, tango, and folk music.
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