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| Taj Mahal - Natch'l Blues
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(Direction 8-63397 UK-68 VG+ 300:-)
A great title for this second set from
Henry St. Claire Fredericks – because the sound here is even more stripped-down and natural than on his first LP!
Taj turns in a lot more original tunes this time around – and is in wonderfully comfortable territory with his own lead lyrics, sung alongside his own work on harmonica and steel guitar too. Jesse Ed Davis adds in plenty of great lead guitar, and also handles the rhythm arrangements too – and Al Kooper guests a bit on piano, but like all musicians here is very respectful of Mahal's role as the lead.
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| Tom Tom Club - same
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(Island ILPS-9686 UK-81 VG+ 375:-)
Tom Tom Club started out as a side project by Talking Heads members Tina Weymouth and Chris Frantz – but went on to have a surprising life of its own!
Like the Talking Heads, Tom Tom Club were very open to pulling together rhythms from the soulful underground – bits of Caribbean influence and certainly some sounds from hip hop too – but used in these cool sing-songy tunes that also had ties to the same New York underground scene that gave the world ESG and Liquid Liquid!
Original 'short-version' issue, prior to track B4 change (from "Booming and Zooming" to "Under the Boardwalk").
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| Traffic - Coloured Rain
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(Island ILP-800 Swe-67 VG+ 375:-)
Though it ultimately must be considered an interim vehicle for singer/songwriter/keyboardist/guitarist Steve Winwood, Traffic was a successful group that followed its own individual course through the rock music scene of the late '60s and early '70s.
Rare original 1967 Swedish-only album; on the pink Island label stereo LP.
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| Traffic - Last Exit
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(Island ILPS-9097 UK-69 VG+ 700:-)
Though it ultimately must be considered an interim vehicle for singer/songwriter/keyboardist/guitarist Steve Winwood, Traffic was a successful group that followed its own individual course through the rock music scene of the late '60s and early '70s.
When Traffic announced their breakup in '69, Island assembled this LP from cuts they'd recorded but not issued. An unexpected gem resulted, icluding "Just for You", "Feeling Good", "Withering Tree", "Blind Man" and more!
Original UK pressing on the 1st "Pink Island" label; both sleeve and vinyl are graded VG+
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| Traffic - Where the Eagle flies
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(Island ILPS-9237 UK-74 VG+ 275:-)
Traffic's last album before their 1974 split takes the jazz-rock textures of THE LOW SPARK OF HIGH HEELED BOYS and SHOOT OUT AT THE FANTASY FACTORY to a logical conclusion. The songs here are more tightly structured than they had been on previous records, with only three of the seven tracks creeping over the six-minute mark. However, the band's interplay is more rhythmically loose than ever before.
Original UK pressing, complete with card lyric inner, textured picture sleeve.
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| Traveling Wilburys - Traveling Wilburys
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(Concord CRE-39517-01 US-16 EX 900:-)
180-gram HQ vinyl. Includes:
* Linen box
* 16 page booklet
* 6 postcards in an envelope
* 36" x 12" poster "Someday everybody gonna be a Wilbury"
* LP 1 = Traveling Wilburys Vol. 1
* LP 2 = Traveling Wilburys Bonus 12"
* LP 3 = Traveling Wilburys Vol 3
Each LP sleeve has a double-sided insert
LPs are in heavy vinyl inner sleeve
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| Triana - Hijos del Agobio
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(Movieplay 17.0907/9 Spa-77 VG+ 300:-)
Triana were one of the best known creators of symphonic flamenco-rock and inspired countless other late seventies Spanish groups. Their style highlighted the distinctive vocal and Spanish guitar stylings of flamenco (where rhythm is a keyword), alternating it with more symphonic parts by moog synthesizer, string ensemble, piano and electric guitar.
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| Troggs - Cellophane
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(Page One POLS-003 UK-67 VG+ 500:-)
The Troggs' third British LP is one of the more sought-after collector's items of the late 1960s. The group followed a more subdued, soft-rock folk-psychedelic path than they had on their earlier recordings, which wasn't necessarily a bad idea, as the hit single "Love Is All Around" proved.
Original UK STEREO pressing; both sleeve and vinyl are graded VG+.
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| Trower, Robin - Twice Removed from Yesterday
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(Chrysalis CHR-1039 UK-73 VG+ 275:-)
Following Robin Trower’s departure from Procol Harum he embarked upon a remarkable solo career with the aid of James Dewar (vocals and bass) and Conrad Isadore (drums). The power trio’s 1973 debut unleashed the full force of Trower’s incredible guitar playing. The Fender Stratocaster was his weapon of choice and the sheer fury with which Robin attacked uptempo rock and blues was astonishing considering that those elements of his playing had only been hinted at in his former band.
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