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Barger, Ralph "Sonny" - Ridin' High, Livin' Free
(Morrow US 2002 HC/DJ 125:-)

Sonny Barger is the number-one spokesman for the motorcycle experience. His New York Times bestseller, Hell's Angel, was an exhilarating history of his adventures with the world's most notorious motorcycle club. Now he brings us rousing, moving, and wildly entertaining true stories of his renegade brothers and sisters in the relentless pursuit of liberty, individuality, and the "ultimate ride."

And what stories he has to tell -- freewheeling, bare-knuckle tales of brawls and battles, brotherhood, breathtaking adventures, crazy quests, and the inevitable classic scrapes with "John Law." The most colorful legends and unforgettable characters of biker lore come alive in this book. In addition, celebrities like Steve McQueen, Johnny Paycheck, and David Crosby thunder through these pages in a sensational collection of rebel tales that runs the gamut from poignant and inspiring to thrilling and utterly outrageous.
Collins & LaPierre - O Jerusalem!
(Simon & Schuster US 1972 HC/DJ 60:-)

This book recounts, moment by moment, the process that gave birth to the state of Israel. Collins & Lapierre weave a tapestry of shattered hopes, valor & fierce pride as the Arabs, Jews & British collide in their fight for control of Jerusalem. O Jerusalem! meticulously recreates this historic struggle. It penetrates the battle from the inside, exploring each party's interests, intentions & concessions as the city of their dreams teeters on the brink of destruction. From the Jewish fighters & their heroic commanders to the charismatic Arab chieftain whose death in battle doomed his cause but inspired a generation of Palestinians, O Jerusalem! tells the 3-dimensional story of this high-stakes, emotional conflict.
Dawkins, Richard - Greatest Show on Earth
(Free Press USA 2009 HC/DJ 50:-)

Richard Dawkins transformed our view of God in his blockbuster, The God Delusion, which sold more than 2 million copies in English alone. He revolutionized the way we see natural selection in the seminal bestseller The Selfish Gene. Now, he launches a fierce counterattack against proponents of "Intelligent Design" in his New York Times bestseller, The Greatest Show on Earth.

"Intelligent Design" is being taught in our schools; educators are being asked to "teach the controversy" behind evolutionary theory. There is no controversy. Dawkins sifts through rich layers of scientific evidence—from living examples of natural selection to clues in the fossil record; from natural clocks that mark the vast epochs wherein evolution ran its course to the intricacies of developing embryos; from plate tectonics to molecular genetics—to make the airtight case that "we find ourselves perched on one tiny twig in the midst of a blossoming and flourishing tree of life and it is no accident, but the direct consequence of evolution by non-random selection."
Egerbladh, Berndt - Jag minns mitt 50-tal
'Bra Böcker Sweden 1992 80:-

I denna bok kan vi vandra med Berndt Egerbladh som ciceron genom 50-talet. Jazzen sprider sig som en farsot. Ingmar Bergman kommer med flera stora filmer. Chrustjev tar över i Sovjet. Koreakriget. Ungernkrisen ...
Franken, Al - Rush Limbaugh is a Big Fat Idiot
(Delacorte US 1996 HC/DJ 50:-)

Rush Limbaugh claims his talent is on loan. With this book, Franken demonstrates that he owns. The frankly Democratic author's shtick reminds us how much of a free ride conservatives have gotten in the mainstream media. For instance, he really drives home the weirdness of the conservatives' preachiness about "family values" in light of Newt Gingrich's and Bob Dole's first marriages, and Rush Limbaugh's first, second and third marriages. And he has great fun with Rush's and Newt's miraculous draft deferments in a chapter where he imagines all of the great conservative "chicken-hawks" out on a Vietnam war patrol under the leadership of Ollie North.
Franken, Al - Why not me?
(Delacorte US 1999 HC/DJ 50:-)

In this hilarious political satire, Al Franken reveals how, by focusing relentlessly on the issue of ATM fees, he managed to wrest the Democratic presidential nomination away from Vice President Al Gore in the 2000 elections and become the 44th president of the United States. He then wound up running the second-shortest administration in American history, announcing in his resignation speech: "It is my fondest wish that, in the fullness of time, the American people will look back on the Franken presidency as something of a mixed bag and not as a complete disaster.
Hillier, J - Japanese Colour Prints
(Phaidon Press UK 1981 PB 80:-)

Japanese prints are probably the most popular form of art from the East that has become known to the West. These images of oriental life and thought have continued to delight Europe and America since they were first seen outside Japan in the mid-nineteenth century. This book presents a succession of great masters from Moronobu in the late seventeenth century to Hokusai and Hiroshige in the nineteenth. This highly successful introduction to the subject, first published in 1966 has been revised and enlarged by the addition of many black-and-white illustrations and notes to the colour plates.
Marcus, Greil - Lipstick Traces
(Harvard University US 1989 HC/DJ 80:-)

Greil Marcus's absorbing new study...dips in and out of the history of the Great Refusal, all the way from the medieval Lollards and Brethren of the Free Spirit to the Dadaists, the French Situationists, the Children of the May 1968 uprising in France and British punk rockers. Lipstick Traces, however, is no sedate academic record of libertarian revolt but a bold blending of anecdote, personal confession and cultural analysis, cutting backward and forward from Sid Vicious of the Sex Pistols to the Surrealists, from Alexander Trocchi of the 1950's avant-garde group know as Lettrist International to George Grosz, from the Anabaptists in the 16th century to Daniel Cohn-Bendit, Danny the Red of the French student rebellion...[Marcus's] book is impressively adept at bringing alive some of the dramatic moments of the history it charts...A coruscatingly original piece of work, vibrant with the energy of the bizarre happenings it maps out.
O'Rourke, P.J. - CEO of the Sofa
(Atlantic Monthly US 2001 HC/DJ 80:-)

O'Rourke has come to the fore in the current school of New Journalism that put Hunter Thompson and Tom Wolfe on the literati map. Like or dislike him, one must admit that he has the power to draw the reader into his psychological inferno. His new book crackles with indignation, a lot of it centered on Democrats, liberals, and the Clintons, about whom he writes with such an infusion of malice that it amounts at times almost to rage. In addition to incinerating these evil specimens of humanity, he also does some tub-thumping on such topics as parenting children, wine tasting, Earth Day, and India. The book will prove abundantly entertaining to those who enjoy O'Rourke's attack-dog style of writing and share his views, but it will surely derange the digestion of all others. Unless something cataclysmic happens, the book is likely to find its way to best-sellerdom.
O'Rourke, P.J. - On "The Wealth of Nations"
(Atlantic US 2007 HC/DJ 80:-)

The famous satirist headlines a new series of Books That Changed the World," in which well-known authors read great books "so you don't have to." While irreverently dissecting Adam Smith's 18th-century antimercantilist classic, The Wealth of Nations, O'Rourke continues the dogged advocacy of free-market economics of his own books, such as Eat the Rich. His analysis renders Smith's opus more accessible, while providing the perfect launching pad for O'Rourke's opinions on contemporary subjects like the World Bank, defense spending and Bill Moyers's intelligence (or lack thereof, according to O'Rourke). Readers only vaguely familiar with Smith's tenets may be surprised to learn how little he continues to be understood today.
Queenan, Joe - Balsamic Dreams
(Henry Holt US 2001 HC/DJ 60:-)

What distinguishes the baby boomers? According to film and social critic Queenan (Red Lobster, White Trash, and the Blue Lagoon) in this witty, sardonic and heartfelt paen to his fellow aging boomers, they weren't the first generation to sell out "but they were the first generation to sell out and then insist that they hadn't." Deftly distilling the impact of a wide range of events in popular culture, he cites April 21, 1971, as one of "ten days that rocked the world" for boomers, with the release of Carol King's album Tapestry. Meanwhile, recent films such as What Lies Beneath and The Haunting appeal to boomers, he observes, with the message, "Just because you're dead doesn't mean you can't get your life organized." And, he asks, won't someone "admit that La Vita e Bella is Holocaust-denying crap?"
Queenan, Joe - Imperial Caddy
(Hyperion US 1992 HC/DJ 60:-)

Quayle-bashers will find this literary pummeling of their man an unalloyed joy. Syndicated Washington Post columnist Queenan has done his homework and not lost his sense of humor while doing it. He begins by citing media descriptions of the vice president as a dimwit, a pinhead, a dolt, a chowderhead--and those appellations are just for starters. Then he goes to work on Quayle's home state of Indiana and the oddballs it has produced, from Ku Klux Klansman D. C. Stephenson through the Rev. Jim Jones to Axl Rose. Queenan determines that the state's native sons are a strange mixture of gullibility, mediocrity and weirdness.
Queenan, Joe - My Goodness
(Hyperion US 2000 HC/DJ 60:-)

Everyone loves a funny misanthrope: Voltaire, Mark Twain, Roseanne Barr. And combative movie critic Queenan (Red Lobster, White Trash and the Blue Lagoon) can be funny. In this memoir of attempted self-salvation, Queenan charts his attempts to drop his disputatious demeanor and become a nicer, if not better, person. As he admits, it's a hard journey, since his "financially remunerative niche as one of the handful of hired guns" who can "turn out a fast, efficient hatchet job" ostensibly hangs in the balance. He's at his best when contemplating how bad he has actually been, and when he measures the "obviously satanic people I have made fun of" against "unlikely people I have defended."
Queenan, Joe - Queenan Country
(Henry Holt US 2004 HC/DJ 50:-)

Who knew that Joe Queenan--who years ago called the English "pasty-faced, mean-spirited, stingy, badly-dressed, anal-retentive, unfriendly, unadventurous, unimaginative people"--could bring himself to write this book-length love letter to the "mother country." Perhaps his English wife of 25 years finally softened him up. He fights the Joe Queenan fight: railing here against Paul McCartney, Pre-Raphaelites, Cats, English haircuts and public transportation, Fergie, Chelsea football supporters, Rod Stewart's Great American Songbook, and more. But the complaints are outnumbered by Queenan's love of a nice cup of tea, England's circuitous roads and stone houses, its writers (Swift, Dryden, Pope, Boswell, Samuel Johnson), its domestic niceties, and its "ebulliently shabby pubs." Queenan's is not a quickie romance; nor is this book an afterthought. It is written with the depth and detail of someone who's paid attention to his subject for a long time.
Queenan, Joe - True Believers
(Henry Holt US 2003 HC/DJ 50:-)

"To me, the Phillies and Eagles are exactly like nicotine:," writes Joe Queenan in his painful and deeply funny book True Believers: The Tragic Inner Life of Sports Fans, "a preposterously noxious semi-hallucinogenic substance capable of giving great pleasure for brief periods of time, but that will ultimately destroy your health." Targets of Queenan's blowtorch mockery in previous books have included Hollywood, chain restaurants, and baby boomers. But here, he shines the spotlight on himself in an extended examination on what it means to join in the unique self-flagellation that is sports fandom. That flagellation is made more painful when, as in Queenan's case, the fan has sacrificed their time, emotional well-being, and regard among family members to following teams that often suck real bad.
Reynolds, Quentin - Police Headquarters
(Cassell & Co UK 1956 HC/DJ 80:-)

This book tells the story of the men who have the job of combating the criminals in New York City. It is centered on the experiences of one policeman, Frank Phillips, who joined the force in the Twenties and is now in charge of the Detective Bureau. Frank Phillips is something of a hero - the most decorated active New York policeman - but his experiences are representative of the tough and dangerous jobs which the police force must cope with, day and night.
Wallock, Leonard - New York
(Rizzoli US 1988 HC/DJ 120:-)

A skillful appraisal of a period of unparalleled creativity that marked New York City as the cultural center of the world. Housing developments and urban fiction, jazz and modern dance, political protest and mixed media productions--all are subjects for study by an impressive group of experts. They show how the city, accommodating a "ceaseless flow of talent" in an aura of unlimited possibilities, provided both the raw materials and the intellectual ferment needed for new ways of thinking and of expressing images and ideas. There is a nostalgic look to the work, with extensively annotated illustrations of the familiar and slightly historic--images of expectation and enthusiasm in a city in which everything was happening and everything was new. An important record of a singular time.
William S Burroughs - Conversations
University of Mississippi 150:-

Although a rather shy, private man, William Burroughs gave a good many interviews during his lifetime, some in prominent publications, others in obscure forums. The interviews collected here provide an aperture into the philosophies, methods, and quirks of a man who wrote Queer, Junky, Naked Lunch, Nova Express, Cities of the Red Night, My Education, and many other works.

When he died in 1997, Burroughs was likely one of the most widely recognizable figures in contemporary American literature. His image circulated on album jackets, in Nike commercials, and in films, as though proving his notion that pictures and words are viruses, invading any receptive host, taking hold, and replicating themselves.

Not surprisingly, the topics Burroughs touches upon are wide-ranging: his relationships to the Beats, legends surrounding his personal life, drugs, gay liberation, collaboration, the cut-up technique, science fiction, politics, conspiracy theory, censorship, cats, guns, David Cronenberg's movie adaptation of Naked Lunch, shotgun art, dreams, and life in Lawrence, Kansas, where he spent his last years. From these interviews emerges a full, undiluted portait of a writer who is difficult to capture in biography.